August 2, 2006
By Thabang Mokoka
A STORM of words erupted as local and international poets graced the Bassline stage in Newtown at the sixth annual Urban Voices International Festival.
Organised by the Southern African Arts Exchange, the programme started its first leg in Johannesburg on Saturday 29 July before jetting off to the coastal cities of Durban and Cape Town.
Describing the atmosphere of the event, co-ordinator for the Southern African Arts Exchange, Zee Ncube, said, "It was a very successful night considering the few resources we have. The Bassline was pretty full."
Many poetry lovers sat on the floor of the 1200-capacity room, while others peered over each other's heads to get a glimpse of the star line-up that included Flo, Afurakan, Suheir Hammad and Saul Williams amongst others.
First to grace the stage was Afurakan who recited a poem called Black Rock. The poem compares the mining and music industries, exploring how much hard work is put in by the artist, who remains poor while others benefit.
A performance worth particular mention was a poem dedicated to her mom by Palestinian-born Suheir Hammad, whose words were harmonised by the sounds of the harmonica of South African slam poet, Flo. Hammad also performed poems reflecting the daily realities of the US and her Palestinian heritage.
Saul Williams, who was the last act on stage, stole the crowd's heart with animated extracts from his book, The Dead Emcees Scrolls. Nodding his head non-stop while reciting NGH WHT, a 33-piece masterpiece, Williams had the crowd in the palm of his hands, which he moved non-stop as if he were using turntables to create the rhythm.
The performance was staged on Monday 31 July at the Bat Centre, Durban, and will be re-enacted on Tuesday 1 August at the Baxter Theatre in Rondebosch, Cape Town.
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